Articles by keyword "original"

Ekaterina Andreeva

The experience of the exhibitions Moscow–Paris, 1900–1930 (the Pushkin State Museum of Fine Arts, 1981), The Territory of Art and Atelier (the State Russian Museum, 1990), curated by Pontus Hultén, is addressed in this essay in relation to the context of the most recent developments in museology, to a large extent shaped by Claire Bishop’s book Radical Museology: Or What’s Contemporary in Museums of Contemporary Art? (2014). 

Read more