What is the role of collaborative research in contemporary museum practice? How can an art institution support research in the arts and humanities? These are some of the questions that were sent to a panel of interlocutors—among them multi-disciplinary researchers, curators, and art managers. Their responses are presented in the form of a discourse about contemporary art institutions and research; its focus is on how art institutions can generate knowledge, support research, and build inclusive environments.
This study critically analyzes representations of the queer migrant subject in two documentaries, A Sinner in Mecca (2015) and Who’s Gonna Love Me Now? (2016). Both films construct a drama of conflicting intersections between religion, national belonging, and sexual identity, which is resolved through a normative pull towards home and its affective restructuring of intimacy in the context of queer migrant subjectivity.