Svala Vagnsdatter Andersen

EN 18+

This article explores what is at stake when cinematic works are exhibited in the museum. It focuses on different strategies to apply when it comes to inciting the spectator: by explaining artistic interpassivity, analogue virtuality, and preclusion of the gaze, as well as by introducing seductive deconstruction, this article offers several examples of how film installations can challenge the museum visitor and their ways of looking.