The Making of Voids is a research-based artwork that reflects on what has happened since the summer of 2019 in Hong Kong, when large-scale protests against plans to allow extradition to mainland China took place. The coronavirus crisis came shortly after mass arrests shrank the protests. Crisis after crisis has made Hong Kong an altered island for many, much like what the pandemic has done to all parts of the world. The Making of Voids is a portal between one world and the other. It is an attempt to break with the past, to imagine a world anew.
To cite this item:
So WP (2021) The Making of Voids (2021). The Garage Journal: Studies in Art, Museums & Culture, 02: 176-180. DOI: 10.35074/GJ.2021.60.29.009
To link to this item: https://doi.org/10.35074/GJ.2021.60.29.009
Publication type: Research-based artwork